Jan-Van-Looy's profile

  • Jan-Van-Looy

    Mr Jan VAN LOOY, éleveur amateur de sélection

    Username: Jan-Van-Looy

Member's latest blog posts

  • Are the seeds enough ? What should we bring to our zebrafinch ?


    During our visit to the firm Versele-Laga, Dr. P. Ghysels gave us a presentation on bird food and the requirements of this food. This presentation, based on scientific research and experiments, was clear and easy to follow, and provided with many examples.
    The result is that we are smarter about food, but we are not yet specialists in bird food.
    This article is based on Dr. Ghysels' presentation and presents some points that need attention.

    Balanced food

    For our zebrafinch, this balanced food consists of the following ingredients:

    1. Protein, fat and carbohydrates.
    2. Minerals and trace elements such as zinc, iron, etc.
    3. Vitamins

    The amount of protein needed depends on the situation. During rearing and moulting, this amount is significantly higher than during the resting season. Seed mixtures can never be adequate enough to provide for the normal situation.

    Carbohydrates are found as starch in plants and seeds. Fats are concentrated sources of energy. Too much fat in food causes a poor function of other materials in the digestion of food. The history of omega-3 is a good illustration of this case. Fats are found in oil-rich seeds. These seeds may constitute a maximum of 1/5th of the mixture.

    Minerals and trace elements must be presented daily. These elements constitute the "fitness" of the bird.
    For the female, limestone is a primary necessity. At each egg laid, the amount of limestone of the female decreases by 20%. During the breeding period, the female must be able to keep her limestone stock to a maximum. During this period, it is therefore necessary to provide additional limestone in the food.

    Vitamins are not found in sufficient quantities in seed mixtures designed for our zebrafinch. Therefore, they must be added. It is especially important to pay attention to vitamins that can be dissolved in fat such as vitamins A, D, E and K. A excess of these vitamins is stored in the fat of the bird and causes a poor function of several organs.

    Continue reading

  • The orange chest mutation in classic colors

    Since we will be discussing the orange breast zebrafinch (PO) in this article, it is certainly interesting to dwell a bit on the history of this mutation first.
    The orange breast mutation (PO) is believed to have originated in Belgium. I consciously write "supposed" because the first orange breast (PO) was actually found at a bird merchant. In Dutch literature in particular, long before the discovery of the first orange breast (PO) in Belgium, zebra finches were described there with characteristics that we can now attribute to orange breast (PO) wearers.
    What we are certain of anyway is that the honor of the discovery of the orange breast (PO) goes to a certain Mr. De C. who in 1978 noticed a rather special gray male in a store. This male had an orange breast bar when normally it should have been black. Mr. DE C. bought this copy, but at the breeding nothing came out of what he had hoped for. At the end of 1978, Paul CH., President of the BZC at that time, acquired this male. There were good and bad surprises with this subject, because unfortunately this male did not live very long. Fortunately Paul CH. had been able to get some young people before. Orange breast (PO) is inherited autosomal recessively compared to the wild form. The orange factor must therefore be doubly present to become visible. He therefore crossed young people between them and quickly took out the first orange breasts (PO).

    Already the first orange breast breeder (PO) made the mistake of not combining and developing the orange breast (PO) with classic colors (gray, brown, pale back, masked) but he rushed directly on the combination of the orange breast with black breast (PN) and other mutations. From that moment on, every orange breast breeder’s dream was born to produce an all-orange zebra finch.
    Due to having burned the breeding stage in the classic colors, the following question remained :

    Are there any specific characteristics that we see in our classic orange breasts, are they just annoying derivatives of the presence of the black breast mutation (PN) or are these specific effects of the orange breast mutation ?

    What do I mean by that? Often the orange chest gray or orange chest brown reveal not well defined cheeks. Likewise, there is often an orange hem on the fenders. Also, the chest frequently flows upwards and the belly shows patterns. All these observed characteristics are quite disturbing.

    Continue reading

  • Genetic transmission of physical characteristics

    If you ask at a meeting of zebrafinch lovers a question about the genealogy of the masked, the pastel, or a black cheek, you are sure to receive the right answer.
    But if we ask the genealogy question about the format (size), the shape of the head or the length of the beak, the answers will be multiple and different.
    Some will say intermediaries, others dominant, etc.

    Nevertheless, these characteristics follow Laws of Mendel. Many breeders do not believe this explanation, but it is true. It seems that the laws no longer behave in a strict way as for the mutations of colours. A wider variation in the format (size), shape of the head, etc... seems normal.

    Law of independent assortment

    In nature, zebrafinch have the same variation in size. And, in the process of domestication, this difference in variation has increased. Our cultivated zebrafinch are on average two centimetres wider than their ancestors in nature.
    In the articles, we always recommend a hard selection at the level of format and model taking into account the differences between the parts such as the head, the body, etc.

    But the format and the model are driven by genealogy. The body shapes are driven by factors.
    The question that arises is: Is there a relationship between the different factors that govern the format, the model, the shape of the head and the beak ?

    Continue reading